NEWS

“As Fake Estates” by Los Angeles-based duo GANGI arrives on Aug. 5 via the band’s Office of Analogue and Digital label, streaming on all digital services, and also as a vinyl release with etched B-side.

These very limited vinyl copies are artifacts, having been pressed and stored at the time that the original recordings were made a decade ago, only to be released now.

Previously praised as “dark and rich” (Los Angeles Times) for its “aural collage that seems aimed at warping any expectations” (LA Weekly) or more esoterically, “a soundtrack to cognitive dissonance” (Under the Radar), GANGI’s “electro-psych evolution has been years in the making” according to SPIN, writing in the summer of 2012 about the Los Angeles-based duo’s second album.

Now, “making” is made as GANGI (Matt Gangi and Eric Chramosta) lands in the future with a three-song suite of sonic disturbance from the past.

The material on “As Fake Estates” was recorded around the same time as the 2012 GANGI album gesture is, and is mostly comprised of what Matt Gangi describes as “mangled” versions of songs that date back to the debut GANGI album A, released in 2007. “We sampled and re-constructed our own re-recordings to make most of it,” he explains.

Chramosta terms the new release “a multiple-decade long lineage of assembly, disassembly and reassembly” or the re-examination of “that which had been left to collect digital dust. Two men’s trash can be the same men’s treasure.”

The elements that call back GANGI’s psych-pop past are heavily spliced and fed through myriad electronic components, channeling the anarchy of The Pop Group and melting warble of DJ Screw. Other influences include Black Dice and Salem.